Malcolm Warner, executive director of Laguna Art Museum since January 2012, announced his retirement this week. He will continue to lead the museum through December, following the eighth annual Art & Nature festival and the opening of the exhibition, “Wayne Thiebaud: Clowns,” scheduled to open Dec. 6.

During Warner’s tenure, the museum — Orange County’s oldest — has doubled its endowment, doubled its annual budget — from approximately $1.5 million to $3 million — expanded its staff, especially in the areas of education and development, and elevated its status and visibility.

The museum’s exhibitions and educational programs have helped garner between $2 million and $3 million per year in contributed income, including a $1 million challenge grant for the endowment and a $1 million challenge grant over four years from the city of Laguna Beach.

The permanent collection has also grown by over 250 works during Warner’s directorship, including pieces by Thiebaud, William Wendt, Helen Lundeberg, Lorser Feitelson, Frederick Hammersley, Stanton Macdonald-Wright, Billy Al Bengston and George Herms.

“Malcolm has been so critical in advancing the mission of the museum,” said Joe Hanauer, chair of the museum’s board of trustees, in a statement. “Long thought of as solely a place for early California landscape painters, today the museum is highly acclaimed as a center to enjoy important works of California art and artists from the early California period to contemporary. Similarly, all art forms can be seen in the museum’s exhibitions.”

During his eight years, Warner hired several people on staff, including a curator and assistant curator of education, a director of advancement, a corporate and foundations relations manager and a director of communications. He hasn’t hired a curator of contemporary art since the departure of Grace Kook-Anderson in 2015.

Warner has curated a number of exhibitions himself, including “Artemio Sepúlveda,” “Dan McCleary: Prints from Oaxaca” and “California Printmakers, 1950-2000.”

“Exhibitions have always been my favorite part of museum work, and I’m proud of the range and quality of the ones we’ve presented during my time in Laguna,” he said in an interview. “Our ‘California Mexicana’ exhibition, which we did under the auspices of the Getty’s Pacific Standard Time initiative, was as rich, enjoyable and informative a thematic exhibition as you’d see anywhere. Then there were all the shows of single artists — from Anna Hills to Tony DeLap and Wayne Thiebaud.”

Warner said he’s proud of the renovation of the lower-level galleries, “which were pretty dismal before and now look fresh and inviting.” He did note that the exterior of the museum, which sits on the high-profile corner of North Coast Highway and Cliff Drive, needs a facelift, and he hopes that happens soon.

Photo courtesy of Laguna Art Museum

An aerial shot of Laguna Art Museum, which sits on the high-profile corner of North Coast Highway and Cliff Drive in Laguna Beach. Retiring Director Malcolm Warner says he hopes the exterior gets a facelift soon.

Warner added that he helped the museum expand its representation of different periods and styles in California art, which is a key part of LAM’s mission.

Perhaps Warner’s most significant contribution to the museum and to Laguna Beach is the annual Art & Nature festival, which he started in 2013. Since its beginnings, the program has centered on a large-scale, commissioned artwork and public programs on the theme of art’s engagement with the natural world. Artists who have been commissioned for Art & Nature include Lita Albuquerque, Laddie John Dill, Phillip K. Smith III and Elizabeth Turk. The Art & Nature keynote lecture has featured well-known speakers such as California historian Kevin Starr and Leonardo da Vinci expert Martin Kemp.

Before joining Laguna Art Museum, Warner was deputy director at the Kimbell Art Museum in Fort Worth, Texas. He also served as senior curator of paintings and sculpture at the Yale Center for British Art in New Haven, Connecticut; and curator of European art at the San Diego Museum of Art. He received his Ph.D. from the Courtauld Institute of Art, University of London, and his doctoral dissertation was on the British Pre-Raphaelite painter John Everett Millais.