Pixar’s first feature with a black lead is ‘visually glorious’ and ‘contemplates the root of all human experience’

Noble Horvath

Click here to read the full article. Pixar Animation Studios’ highly anticipated film, “Soul,” isn’t set to premiere on Disney+ on December 25, but early critics’ reviews indicate the “visually glorious” animated feature will be worth the wait. Oscar-winning director Pete Docter (“Up” and “Inside Out”) is at the helm […]

Click here to read the full article.

Pixar Animation Studios’ highly anticipated film, “Soul,” isn’t set to premiere on Disney+ on December 25, but early critics’ reviews indicate the “visually glorious” animated feature will be worth the wait. Oscar-winning director Pete Docter (“Up” and “Inside Out”) is at the helm of this “densely packed, exquisitely executed” feature that recently screened at BFI London Film Festival.

As  of this writing the film, which is Pixar’s first with a black lead character, has a MetaCritic score of 91 based on seven reviews. Over at Rotten Tomatoes, “Soul” has a perfect 100% freshness rating based on 13 independent reviews to date. Kaleem Aftab from “IndieWire” writes, “Like some of the best jazz compositions, it uses traditional framework to veer off in many unexpected directions, so that even the inevitable end point feels just right.”

This Oscar contender for Best Animated Feature follows middle school band teacher Joe Gardner (voiced by Jamie Foxx), who gets the opportunity of a lifetime to play at the best jazz club in town. But one day, he finds himself in a fantastical world known as The Great Before, a place where new souls develop before they arrive on Earth. The film also features the voice talents of Tina FeyPhylicia RashadAhmir ‘Questlove’ ThompsonAngela Bassett and Daveed Diggs. Original jazz music was created by Jon Batiste and the score was composed by Oscar winners Trent Reznor and Atticus Ross (“The Social Network”).

Could “Soul” be Pixar’s next family classic? Check out some of the reviews below, and join the discussion on this and more with your fellow movie fans here in our forums.

Wendy Ide (ScreenDaily): “Visually glorious, frequently very funny and genuinely profound, this is a picture which cries out to be seen on the big screen.”

Kevin Harley (Total Film): “Moving ever-onward from the sequels years, Pixar gets right back in the zone with Soul. Deep, witty, and fast on its jazz-loving feet, it doesn’t miss a beat.”

Leslie Felperin (The Hollywood Reporter): “This densely packed, exquisitely executed and just a teensy bit batshit film is peak Pixar. It’s a vintage mix of the company’s intricate storytelling, complex emotional intelligence, technical prowess and cerebral whimsy on dexamethasone.”

David Katz (The Film Stage): “Soul likes jazz very much. That’s a rare certainty in this ambitious film, which attempts to contemplate nothing less than the root of all human experience on this planet.”

Jason Solomons (The Wrap): “Soul is perhaps the most existentially ambitious film ever attempted by Disney and yet it pops with colorful visuals and gentle wisdom while the story clips along despite the dizzying height of the concept. Only in the final stages do the knots of plot complexity get the better the characters, but audiences will have been well won over by then.”

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